Batman is, in real life, a sad billionaire named Bruce Wayne. Spider-Man is a teenager named Peter Parker who really should see a doctor about his wrists. And Superman — the most powerful being on the planet — goes to work every day as Clark Kent, a journalist who cannot spot an alien standing right next to him. The disguise is glasses, Clark. Just glasses.
But here is what we always get wrong about superheroes. The mask is not what hides them. The mask is what makes them. Take it away and Bruce Wayne is just a rich man with too many gadgets. Peter Parker is just a kid with a problem. Clark Kent is just a man who needs better glasses.
The mask is not hiding the power. The mask is where the power comes from.
Masks are not a new idea. The Ramayana worked this out a few thousand years before Bruce Wayne did. Those masks on the cover were spotted at the Kautilya Leadership Centre in Khalapur a while ago. They have been on my mind ever since.
Two real people understood this. One painted walls. The other wrote code.
The man who owned every wall
For thirty years, a person called Banksy put art on walls all over the world. Without asking. Without signing his name. Without telling anyone who he was.

A while ago, on a street in Marseille in the south of France, he painted a bollard casting the shadow of a lighthouse it could never be. The bollard’s own shadow stretches across the pavement for real. The lighthouse shadow stretches up the wall in paint. One shadow is true. The other is a wish. Across it, these words: I WANT TO BE WHAT YOU SAW IN ME.

I came across it on my phone a few months ago and stopped scrolling.
The bollard is nothing special. The kind of thing you walk past every day without noticing. But in the painting it becomes something. A beacon. And the sentence makes it personal. Not I am great. Just I want to be what you once thought I could be. There is a lot of feeling in that gap.
It hit me the way it did because I did not know who made it. No name, no story, no interview. Just the image and whatever I happened to be feeling that day.
That is not a coincidence. That is the whole plan. The missing name was the point. The anonymity was not modesty. It was the message.
The man who broke money
In 2008, the world’s banks were falling apart. Into this mess, a person using the name Satoshi Nakamoto put out a nine-page document. It described a new kind of money. No bank needed. No government involved. No single person in charge. Just a system that anyone could use and no one could own.
Then Satoshi disappeared. On purpose.
Because a name is a door. And governments are very good at finding doors. Satoshi left no door. You cannot arrest an idea. You cannot freeze a network. But you can absolutely freeze the bank account of the person who built it, if you can find them.
Both Banksy and Satoshi did what Bruce Wayne does every morning. They put the mask on and became something their real names could never have been.
The masks came off
Reuters published a story naming Banksy. His real name, his real face, his real life in Bristol.
The New York Times went further. A reporter spent a full year trying to find out who Satoshi really is. He hired a language expert. He flew to El Salvador to meet his main suspect. He built a database of over a hundred thousand old internet posts and ran them through an artificial intelligence programme. His conclusion: Satoshi is most likely Adam Back, a 55-year-old British cryptographer who has been a well known figure in the Bitcoin world for years.
Both denied everything. Both denials had the sound of something that had been practised many times before.
I read both stories and felt something drop in my chest.
The journalism was not the problem. The NYT piece is serious, careful work. There is one moment I keep coming back to. The reporter is sitting with Back in a hotel room in El Salvador and reads out something Satoshi once wrote: “I’m better with code than with words.”
Before he can finish, Back jumps in. “I did a lot of talking though for somebody,” he says. “I mean…” And then he stops. Goes quiet.
Three seconds. But in those three seconds he spoke like someone who had written that line himself. Like he knew exactly what it felt like from the inside. Then he caught himself. And the door closed again.
The drop in my chest had nothing to do with the journalism. It was about what the journalism did.
What the bollard knew
A named Banksy is just a man from Bristol. A named Satoshi is just a person a government can drag into a court. The Bitcoin crowd is not buying it anyway. They are not being difficult. They just know that once you name the magic, the magic leaves the room. Some things work better as mysteries.
Superman is Superman because you never see him burning toast in the morning. I want my superheroes to stay masked, thank you very much. Whatever form they come in. Some shadows are better left where they are.


