Madurai

The Art of Showing Up

If you can’t showcase your work, you can’t sell it. It’s as simple as that.

The old idea that “if you build a better mousetrap, the world will beat a path to your door”? A myth. Maybe it never existed.

At the Chithirai Festival in Madurai, amidst the chaos and colour, one balloon vendor knew this well. He struck an ingenious deal with the cops—his bike would serve as a barricade against traffic, giving him prime real estate in the middle of the road.

With that sorted, he put on a show—a mega display of bright, cheerful balloons. By the end of the day, he sold them all.

There’s always a way to showcase your work.
It can be subtle, functional, creative, or bold—but it must be authentic.

A little bit of imagination can make all the difference.

This balloon seller taught me that.

Colours, Coin, and a Question

He appeared with a tap on my shoulder, cutting through the jostling crowd at Madurai’s Chithirai Festival. While chaos swirled around us, he stood calm, his face a riot of colour—deep devilish pink, adorned with glinting trinkets.

He smiled and held out a vessel. Ah, money, I thought. It paints the town red. Or, in this case, a shade of pink that refused to be ignored.

Carefully, I wrestled my wallet free, handed him a few notes. His eyes widened.

Was it the amount?
The act of giving itself?
Or my awkward attempt at wallet gymnastics in a jostling sea of people?

Surprise gave way to a grin, and suddenly—out of nowhere—he blessed me with a peacock feather.

I asked for a picture. He stood, smiled, then vanished into the festival, dancing to a new tune, swallowed by the crowd.

But his azure blue eyes lingered long after.

And a question stayed with me—Do we all wear paint to earn a living?

(at Madurai, India)

The Beat of Tradition, The Dance of Renewal

You can’t miss the beats—they travel miles, weaving through memory and the moment.

Folklore spills onto the streets of Madurai, as rural dancers take center stage—bare-chested, bells jingling, raw energy flowing. Nothing polished, nothing rehearsed. Just movement, music, and meaning.

This is Chithirai Festival.

There’s no perfect synchrony, no scripted spectacle for the screen. Yet, there’s joy. A gay abandon of culture, faith, and spontaneous rhythm. A festival that isn’t just performed—it’s felt.

A new warp and weft to an old tradition.

A treat to the senses. A soothing of the soul. A renewal—of memories, of roots, of fresh dreams taking flight.

How Travel Changes You: The Places We Carry Within

“Wherever you go becomes a part of you somehow.”

Anita Desai

Travel isn’t just about seeing new places. It’s about letting those places shape you. The streets you walk, the faces you meet, the air you breathe—it all settles into your being, often without you realizing it.

Some places leave an imprint instantly—a breathtaking view, a conversation with a stranger, a meal that lingers in memory long after the taste has faded. Others work quietly, weaving themselves into your thoughts over time, surfacing in moments of nostalgia.

And then there are places that shift something within—they change how you see the world, how you respond to life, how you define home.

A mountain trek might teach you patience. A bustling city may reveal resilience. A quiet village could remind you of simplicity. Wherever you go, something stays with you.

You don’t just visit places—you carry them forward. In memories, in perspective, in the way you tell your stories.

And in the end, perhaps the real journey is realizing that you never return as the same person who left.

It’s early in the morning. The Sun is unleashing a fresh crimson on an early sky which still seems besotted with the night gone by.

The Sun is there. Persistent yet silent. The only loud statement coming from it action : a constant rising.

People warm up to the Sun. But before people do, the birds set off a note of welcome. Loud. Joyful. Synchronous in their randomness. And as they announce their presence the giant temple gopuram of several centuries seems to nod and smile.

A new day is here. The Sun is out. It’s time to flap your wings and fly.

Fly.

(at Meenakshi Amman Temple)

The Pongal Magic

 

The birth of the Tamil month of ‘Thai’ occupies a special significance in my heart. For a farmer, ‘Thai’ is the tenth month in the Tamil calendar.  The arrival of ‘Thai’ is celebrated with colour, splendour, nature, gratitude and of course, good food : Pongal, we call it.  For a long while now, Pongal festivities in urban areas have been relegated to a fun bonfire, a fancy ghee dripping Pongal (the dish) and a lazy time in front of the TV.

The festival, though, has a lineage of several thousand years and the least every succeeding generation did was to mark it on the calendar. Which is fantastic. Needless to say, they celebrated in accordance of the times they lived in and added a layer of flavour.

As a kid, I recall running with a carefree energy, in farmlands of a distant dusty village cluster near Madurai in Tamil Nadu on the day of Pongal. Careful not to trample on the colourful ‘Kolams’ that dotted every doorway. Running to see garlanded cows and goats with a fresh coat of paint donning their horns.  Jostling to get a better glimpse of events at the village centre, atop the shoulders of uncles and cousins.  A uniquely rural Indian moment, if you will. Replete with painted horns matched in their colour by glaring ribbons, and blaring megaphones.  Shy women stood at the doorway of quaint houses and watched drunken men, cows, and kids like us traipse by.  The world seemed to have a spring in its step.

That is my memory of Pongal. There was magic in the air. The Pongal magic.

For long, I believed that it was ‘Thai’ that did it. For it heralded new beginnings. It meant that there was a shift in the seasons. The seeds that were sown months ago and nurtured over several months had morphed into something else. Grain. Food. It was time for a harvest. It was time for abundance.

To date, on Pongal day, a traditional Tamil rural household converges outside of their homes under the benign grandeur of the Sun God and cook. Boiling the milk and adding freshly harvested rice, even as it overflows, to signify gratitude and abundance. Or at least, that’s the story I have experienced.

‘Thai Piranthaal Vazhi Pirakkum’ they say. ‘When the month of Thai arrives, opportunities arrive’ is a loose translation.

The urbanisation of our lifestyles has drifted away from the rhythms of its rural origins. Retaining the ritual and missing the flavour. Yet, the spirit of the festival permeates the mid-January air.

Sometimes, that’s all that matter.

Here’s to a super Pongal. May there be new vistas for health, happiness and fulfilment in all our lives.  And even as they knock on our doors, may we have the prescience to hear the knock and open the doors of our soul.

May we live!

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